Example Agent: Avery’s Animation Job Agent
Overview
Avery Lin is a fictional graduating Animation student looking for a first job as a 2D or 3D animator in games or animated series. This page shows every part of Avery’s agent, in the order it was built, with enough detail that you can copy the structure for your own goal. Every studio below is invented.
The agent lives in one document, Avery’s rules file. Each section below is one section of that file. The agent reads the whole file every time it runs, so anything not written down does not happen.
1. Read the resume first
The first rule in the file: before rating any job, read Avery’s current resume and portfolio summary (pasted at the bottom of the file). The agent rates jobs against what Avery has actually done, never against a guess. When Avery updates the resume, the agent’s ratings update with it.
2. Goal and audience
| Part | Avery’s version |
|---|---|
| Goal | Surface only animation jobs Avery can realistically land and wants, ranked honestly by fit, with no dead links and no padding to hit a number. |
| Audience | Avery: 2D character animation (Toon Boom Harmony, After Effects), basic 3D (Blender, Maya), a game-jam credit, and a demo reel. Wants games or series work. |
3. The must-haves and the star rating
Three must-haves come first. Every job is checked against all three before it is rated.
- Animation is the core of the job, not one duty among many.
- Entry level: junior, associate, apprentice, or zero to two years required.
- Paid, permanent or a paid apprenticeship, in Avery’s locations (section 7).
Then each job is rated against the posting’s stated minimum qualifications, not the title:
| Rating | Meaning | What happens |
|---|---|---|
| 5 stars | All three must-haves, and Avery meets every stated minimum | Top of the page with a “don’t pass this up” flag |
| 4 stars | All three must-haves, with one stretch on experience or one detail unclear | Listed, below the 5-star jobs |
| 3 stars or less | Missing a must-have, or a real reach | Never listed |
Rule for honesty: if there is no real gap, the agent writes “You clear every stated minimum” instead of inventing a weakness.
4. Target companies: the top 20
Avery researched the twenty studios that hire the most junior animators in the field Avery wants, then checked each studio’s own careers page and recorded the exact link. The list is split into tiers so the agent knows where to look hardest.
| Tier | Studios (fictional) | Rule |
|---|---|---|
| Tier 1, apply and network | Lantern Fox Games, Paper Moon Animation, Bright Harbor Studios, Kitebird Interactive, Saguaro Pixel, Tumbleweed Toons, Northstar Story Lab, Copper Kettle Games | Check every run. Avery also follows these studios’ artists and recruiters online. |
| Tier 2, apply when it fits | Ironleaf Entertainment, Bluegill Animation, Moonrise Mobile, Pinecrest Media, Redrock VR, Hollow Oak Studios, Cloudline Games, Juniper Lane Kids | Check every run, rank below Tier 1. |
| Tier 3, do not search | Three studios that closed or were bought last year, and one that only hires seniors | Never search these names. If a studio was bought, search the company that bought it instead. |
Avery added one note per studio: city, remote policy, what it makes, and anything unusual (“posts only on its own site,” “hires through an apprenticeship each spring”). Studios change fast; Avery re-checks the list once a month and dates the change.
5. Job boards, for discovery only
Boards find jobs the studio list misses. They are never the final link.
| Board | Why it is on the list |
|---|---|
| ArtStation Jobs | The main board for game and animation art roles |
| LinkedIn Jobs | Studios post here first, and recruiters are easy to find |
| The Animation Guild | Union-studio roles and industry news |
| One regional board for Avery’s city | Local studios and in-house teams that never post nationally |
Every board result goes through the checking rule in section 9 before it reaches the report.
6. Titles and keywords
The same job goes by different names, so the agent searches all of them: Junior Animator, Associate Animator, 2D Animator, 3D Animator, Character Animator, Animation Apprentice, Motion Designer, Junior Rigger, Storyboard Revisionist, In-game Animator. Avery added “Motion Designer” after noticing studios use it for animation roles in marketing teams.
7. Location and ranking
Every report is ordered, not just filtered, and every job carries a rank number.
- Avery’s home metro area first, because a local job competes against fewer applicants.
- Then remote in the United States.
- Then the two cities Avery would move to.
- Within each group: hybrid before on site, then strength of fit, then pay.
8. What gets cut
- Unpaid, “for exposure,” or a test longer than one day without pay.
- Requires a bachelor’s degree with no “or equivalent experience.”
- Requires coding as a main duty.
- More than 25 percent travel.
- Pay below Avery’s floor, when pay is posted. If pay is not posted, the card says so.
- Any job already on Avery’s tracker (section 11).
9. The checking rule
Before any job reaches the report, the agent opens the studio’s own careers page and confirms the exact posting is there, with its title and location. The apply link must be the posting itself, not a board, a search page or a general careers page. If the posting cannot be found on the studio’s site, the job is dropped. Some studio career pages load slowly or look empty to an AI; the file names those studios so the agent knows to look twice.
10. The report format
No introduction and no summary paragraph: the report starts with the first job. Each job is one card.
| Order | Field |
|---|---|
| 1 | Stars |
| 2 | A badge only when one applies: NEW (found this run) or CLOSES and the date |
| 3 | Rank number and job title |
| 4 | Studio, location or remote, pay, and the posting number |
| 5 | What the job is: two to four short points about the actual work |
| 6 | Strong: the stated requirements Avery clears, and what proves each one |
| 7 | Light: the real gaps against the stated requirements, or “Nothing material” |
| 8 | Lead with: the one reel shot or project to put first in the application |
At the bottom: a short run note listing which studios were checked, which boards were searched, and anything that broke.
NEW
#1 Junior 2D Animator
Paper Moon Animation · Phoenix, hybrid (3 days) · $52,000 to $60,000 · Posting PM-2214
What the job is: character animation for a preschool series in Toon Boom Harmony; cleanup and in-betweening; weekly reviews with the lead.
Strong: Toon Boom Harmony (two reel shots); character acting (the dialogue shot); a portfolio, which the posting accepts instead of a degree.
Light: Nothing material, you clear every stated minimum.
Lead with: the dialogue shot.
11. The tracker
Avery keeps a Google Sheet with two tabs: Applied (every application sent, with date and status) and Not applied (every job checked and skipped, closed, or ruled out). The agent reads both tabs every run and never shows the same job twice.
12. Schedule and delivery
The agent runs once a month, on the first Monday at 7 a.m. Avery chose Option B, a web page. Avery is still finishing school and studios hire for juniors in seasonal waves, so a monthly sweep catches what matters without a pile of repeats. Six weeks before graduation, Avery will switch it to weekly, when timing starts to count. Results go to a web page that the agent rebuilds in place each run, so the same bookmarked link always shows the current list: still-open jobs carried forward, closed ones removed, new ones tagged NEW, and any 5-star job at the very top.
13. Keeping the file sharp
The top of the rules file has a dated change log. Every time Avery corrects the agent (“stop showing senior roles,” “add Motion Designer as a title”), the rule changes in the file and the change is logged with the date and the reason. The file gets better every week. This is the habit that makes the agent useful a year from now.
Build your own from this
| Avery’s section | Change it for your goal |
|---|---|
| Target companies | Freelance: clients and agencies that hire freelancers. Exploration: organizations in each path you are comparing. Business: competitors, grant programs and suppliers. |
| Boards | Use the boards and calendars your field actually uses: freelance boards, event calendars, scholarship lists, course catalogs. |
| Star rating | Rate against what matters for your goal: fit to your skills, pay, deadline, or how much it teaches you. |
| Report format | Keep it short enough to read on a phone in one pass. |
| Schedule | Match how often your sources change. |